Gemstones

Bangle bracelet: responsibly-sourced sterling silver, aluminium, titanium, 1.62 carat emerald-cut Turkish diaspore (gemstone). 

Path speaks to self-determination, mapping the complex topography of a person’s interior life. This one-of-a-kind sculptural bangle captures the essence of choices made, alternate realities, and the quiet illuminations that define our personal histories.

The core features a band of twice heat-coloured titanium, where iridescent hues and engraved linework reflect the maze-like trajectories of our lived experience. Framed by similarly engraved aluminium and featuring a sterling silver setting positioned prominently in front of the titanium, the piece is a gesture of taking ownership of one’s own life.

Crowning this wearable landscape is a little-known gemstone: an emerald-cut diaspore (also known as zultanite). The gem is claw-set atop a raised silver platform, framed by a delicate twisted wire border. This remarkable stone possesses a rare and natural ability to change colour from this soft mint green to a pastel yellow as it absorbs different wavelengths of light.

Details

• Artistry: Handmade, one-of-a-kind sculptural bangle

• Form: Wide, layered bands with engraved topographical lines

• Inspiration: Personal talisman

• Metals: Responsibly sourced sterling silver (925), aluminium, twice heat-coloured titanium

• Gemstone: Diaspore (zultanite) 1.62 carat, emerald-cut, claw-setting

Necklace: responsibly sourced sterling silver, heat coloured titanium (hook), 10.41 carat ethically sourced Brazilian lavender quartz (concave octagon-cut), 29.75 carat Brazilian lavender quartz pair (pear-cut), dark freshwater pearl, tumbled rose quartz and chevron amethyst beads.

Feminine power and ancient opulence combined, the Ester necklace is titled after Queen Ester, the Jewish queen of Ancient Persia. Queen Ester (Latinized ‘Esther’) is the main character in the story around which the Jewish festival of Purim is based, and stands as a testament to the civilizational alliance between the people of Israel and the people of Persia (modern-day Iran).

This piece captures a sense of regal history, blending raw, tumbled stones with precision-cut gems. The soft hues of rose and lavender quartz are balanced by the deep, rhythmic patterns of chevron amethyst and the inclusion of a dark freshwater pearl, creating a silhouette that feels both ancient and contemporary.

At its centre, a magnificent 10.41 carat Brazilian lavender quartz is claw-set, its concave octagon-cut designed to catch and amplify light from every angle. This is paired with a striking 29.75 carat duo of pear-cut lavender quartz, creating a layered, sculptural aesthetic worthy of its royal namesake.

Details

• Artistry: Handmade, one-of-a-kind sculptural necklace

• Inspiration: Queen Esther of Ancient Persia

• Metals: Responsibly sourced sterling silver (925) and a heat-coloured titanium hook

• Primary Gemstone: 10.41 carat ethically sourced Brazilian lavender quartz; concave octagon-cut, claw-set

• Accent Gemstones: 29.75 carat (pair) Brazilian lavender quartz; pear-cut, VVS clarity

• Beads: Tumbled rose quartz and chevron amethyst strands, cultured freshwater pearl

Pendant and chain: fine (pure) silver pendant, sterling silver belcher chain, 1.93 carat emerald-cut green tourmaline from Afghanistan.

Inspired by ancient architectural jewellery, the Ohad pendant features an emerald-cut green tourmaline claw-set on a high fine silver platform. The sterling silver belcher chain is robust, giving Ohad a subtle mixture of soft and hard aesthetics. A balance between weight and delicacy, structure and fluidity.

Details

• Metals: responsibly-sourced Fine Silver 999 (pendant) & Sterling Silver 925 (chain)

• Design Style: Minimalist, architectural

• Gemstone: Green Tourmaline 1.93ct, emerald-cut, claw-setting

• Artistry: Handmade one-of-a-kind

• Chain: Belcher chain

Cuff bracelet: responsibly sourced and recycled sterling silver, responsibly sourced 9kt yellow gold, responsibly sourced fine silver, carnelian cabochons, marquise cut iolite.

Byzanti is a tribute to the splendour of Byzantium—a handcrafted bracelet that captures the empire’s rich aesthetic through a deep, velvety blue iolite and two radiant carnelian cabochons. These luminous stones are set in a striking blend of responsibly sourced sterling silver and 9kt yellow gold, offering a beautiful interplay of warmth and brilliance.

Inspired by the grandeur of Byzantine artistry, this piece echoes an era where gold and ornamentation carried spiritual weight, and gemstones spoke of power and presence. The inky iolite evokes the mystery of the deepest night, while the glowing carnelians and gold suggest the promise of dawn—together, a quiet homage to nature’s eternal rhythms and timeless beauty.

Bracelet inner diameter: 5.5cm (2.16 inch). This bracelet is made to fit a small size wrist (women) and can be adjusted to a medium size upon request (free of charge).

Brooch: responsibly sourced sterling silver, anodised titanium, pear cut yellow-green tourmaline, stainless steel double pin.

Key is a shallow relief profile bust of a symbolic man. The form was constructed by chasing and repousse (using various shaped tools to hammer the surface of the metal from both above and below) from a 0.8mm sheet of titanium. The resulting sculpture was anodised into iridescent purple, copper, and blue hues, the dominant colour varying depending on angle of viewing and lighting conditions. Anchoring the profile is a yellow-green elongated pear cut tourmaline, which adds charge, tension, and contrast to the already sensual form of the figure, set in silver. At the base of the profile, the first letter of the Hebrew alphabet, א (aleph) is stamped and engraved back into the raw titanium.

The brooch cites the threshold of new beginnings, the ambivalent fear and attraction that attend fundamental change, and the embodied sensations that anticipate a coming touch.

Brooch dimensions: (H) 10.5cm x (W) 6cm.

Please note: this brooch is affixed with a vertical, 0.9mm stainless streel double pin, suitable for most fabrics.

Cuff Bracelet: responsibly sourced sterling silver, patinated copper (varnished), ethically sourced 6.37ct Brazilian lemon quartz (concave cushion-cut).

Path to Alon is a one-of-a-kind cuff bracelet inspired by the Arava Desert landscape that stretches between the Dead Sea, the lowest land elevation on Earth, and the Red Sea to the south. This desert runs along the Jordan Rift Valley that separates the African and Arabian tectonic plates. Growing up in this place, Path to Alon recalls the colourful rocky ridges that flank the narrow rift valley on both sides, the dried riverbeds that occasionally flood powerfully, and the unspeakable beauty of this part of the world.

The engraving and richly coloured patina of the bracelet’s copper body has been varnished to prevent the colour from changing and exposure to the skin. A thick outline of sterling silver solidifies the structure of the cuff and lends it light, while the stunning concave cut lemon quartz rises like a crown above the main body of the bracelet.

This piece was selected for artisan Collects (2022), a collaborative initiative between Malki Studio and artisan Gallery that invited collectors to explore jewellery as an art form. For more information, please click here.

Made to fit a medium to large sized wrist (reasonably adjustable).

Ring: responsibly sourced 18kt yellow gold, responsibly sourced sterling silver, responsibly sourced fine silver, heat coloured titanium, ruby, cultured freshwater pearl.

A tribute to the splendour of Byzantium, Byzanti is a handcrafted ring featuring a beautiful pinkish-red ruby, a cultured freshwater pearl, and heat coloured titanium. These luminous elements are set against a blend of 18kt yellow gold with responsibly sourced sterling silver, creating a harmonious contrast of warmth and brilliance.

Drawing from Byzantine artistry, this piece embodies the empire’s opulence—where gold flowed like sunlight, pearls symbolised purity and prestige, and richly coloured gemstones conveyed power. The ruby’s deep pinkish-red accentuates the ring’s historic ties to wealth and devotion.

Ring size: N (6 3/4). See our Sizing Guide.

Brooch: responsibly sourced sterling silver, heat coloured titanium, ethically sourced 4.46 carat white topaz from Mount Surprise, Queensland.

The fig tree is one of the first plants mentioned in Bereshit (Genesis) in the Torah, when its leaves were used by Adam and Eve in the Garden of Eden to clothe themselves immediately after eating of the Tree of Knowledge (suggesting that perhaps the Tree of Knowledge was a fig tree). Fig trees are also one of the Seven Species—a group of edible plants mentioned in the book of Dvarim as natural endowments of the land of Israel. Alongside wheat, barley, grapes, pomegranates, olives, and dates, the fig was considered by the Ancient Jewish Kingdoms and the Israelites as staples of their diet. The first fruits of the Seven Species were also used as offerings traditionally given to the Jewish Temple in Jerusalem by worshippers—the wood of the fig tree serving as fuel for the Temple’s Eternal Flame. In the Ancient Jewish holiday of Tu Be’Shvat, also known as the New Year for Trees, dried figs are traditionally eaten as part of the celebration.

These are but some of the significances of the fig tree to the Jewish people. That the native species of the Levant are so enmeshed within the foundation of Jews as an ethnoreligious group speaks strongly to our connection to the land of Israel. This brooch is an homage to that connection.

Eden was exhibited as part of the Intimate Worlds exhibition at NorthSite Contemporary Arts in Cairns. Occurring between August and October in 2024, the exhibition “is about celebrating materiality and process. The artists featured in ‘Intimate Worlds’ have a profound respect for their materials, and their work reflects a deep curiosity and dedication to their craft.”

Dimensions: 15.5 × 11cm (approximately 6.10 × 4.33 inches).

*Please note that the titanium pin that fastens this brooch is 1.5mm thick and therefore works best on looser woven fabrics.

Torque Necklace: responsibly sourced sterling silver, malachite, amethyst, cultured freshwater pearl, and concave cut fluorite.

The Adamantine torque is inspired by The Dying Gaul, a Roman marble copy of a Hellenistic work of the late 3rd Century BCE, in which a wounded warrior is collapsed on the floor, nude except for a thick twisted torque about his neck. The marble statue was made as much in celebration of the Roman military victory over the Gaul people as in their honour as worthy adversaries. Gaul warriors were regarded as fierce fighters who expressed their people’s defiance of the Roman Empire by fighting unclothed. The exposed, vulnerable bodies of Gaul warriors were thus not symbols of weakness but evidence of their confident, unbreakable spirit.

The Adamantine torque, cuff and earrings were featured in an empowering jewellery showcasefor International Women’s Day (2022), the theme of which was Break the Bias.These pieces break social bias by positioning vulnerability as a demonstration of strength rather than weakness. This piece was also selected for artisan Collects (2022), a collaborative initiative between Malki Studio and artisan Gallery that invited collectors to explore jewellery as an art form. For more information, please click here.

Brooch: responsibly sourced 18 karat gold, responsibly sourced sterling silver, heat coloured titanium, responsibly sourced fine silver, ethically sourced 2.4 carat London blue topaz from Brazil.

The Nova brooch was made in response to the October 7th massacres that occurred in Israel, in particular the Nova Music Festival. Nova takes the form of a flower, a purple variant of the poppy anemone which is native to the Mediterranean region which includes Israel. The poppy anemone is Israel’s favourite flower, the red variant being Israel’s national flower. Following the massacre at the Nova Music Festival, the Israeli community has created individual memorials for those who were murdered, including planting flowers that honour the dead. Not surprisingly, a favourite among these has been the poppy anemone, or Kalanit (in Hebrew).

Malki Studio has created this brooch to express the ongoing grief of Jewish and Israeli people, and offer it as a solemn example of our people’s deep connection to our land, culture, history, religion, and each other.

Nova was exhibited as part of the Intimate Worlds exhibition at NorthSite Contemporary Arts in Cairns. Occurring between August and October in 2024, the exhibition “is about celebrating materiality and process. The artists featured in ‘Intimate Worlds’ have a profound respect for their materials, and their work reflects a deep curiosity and dedication to their craft.”

Brooch dimensions: approximately 7cm x 7.5cm x 3.5cm.

*Please note that the titanium pin that fastens this brooch is 1.5mm thick and therefore works best on looser woven fabrics.

Ring: responsibly sourced and recycled sterling silver, 0.8 carat pink tourmaline.

This Renaissance-inspired ring centres on the idea of sweetness as an outward projection of hope and resilience. Here, sweetness is rooted in the sugary pink hue of the tourmaline gemstone, which crowns the architectural, temple-like structure of the setting. Associated with compassion, healing, and self-love, pink tourmaline symbolises a vital, reverent, and deeply desirable softness—a kind of vulnerability. As a gesture of elevation and respect, the structural silverwork clings to the stone’s sweetness with outstretched arms—the claws—holding it close, protecting it from corruption.

Size: N (US size 6). See our Sizing Guide.

*Please note that this size is approximate due to the flat inner profile of the ring.

Necklace: responsibly sourced 18kt yellow gold, responsibly sourced 14kt yellow gold beads, responsibly sourced sterling silver, 8.17 carat pinkish-purple Brazilian tourmaline, ruby bead, cultured freshwater pearls.

A tribute to the splendour of Byzantium, Byzanti is a handcrafted necklace featuring an 8.17ct pinkish-purple Brazilian tourmaline, cultured freshwater pearls, and a single ruby bead. These luminous elements are set against a blend of 18kt and 14kt yellow gold with responsibly sourced sterling silver, creating a harmonious contrast of warmth and brilliance.

Drawing from Byzantine artistry, this piece embodies the empire’s opulence—where gold flowed like sunlight, pearls symbolised purity and prestige, and richly coloured gemstones conveyed power. The tourmaline’s regal hue evokes the famed imperial purple, while the ruby’s deep pinkish-red accentuates its historic ties to wealth and devotion.

Pendant and chain: recycled sterling silver, responsibly sourced sterling silver and fine silver, responsibly sourced 9kt and 14kt gold, malachite cabochon, peridot beads, sterling silver chain.

The evil eye is a motif shared by many cultures around the Mediterranean Sea and predates the monotheistic religions (Judaism, Christianity, and Islam). It has nevertheless been incorporated and adapted into the mystic traditions of these religions and thus remains a dominant motif shared by most cultures in the Mediterranean.

Approached from a Jewish, North African perspective, this pendant is intended as an offer of empathy and protection to its wearer, acting as a sentinel and witness to one’s hardships.

Chain length: 70cm.

Pendant dimensions: 4cm x 6cm x 1cm.

Pendant weight: 12.9 grams.

Statement Stud Earrings: responsibly sourced sterling silver and two ethically sourced 2.65ct (5.3ct combined) Brazilian prasiolite.

These one-of-a-kind stud earrings are part of the For Maria Primachenko Collectionwhich celebrates Ukrainian culture, traditions and people. They are handmade using the ancient lost wax casting method and feature stunning ethically sourced square cut prasiolite gemstones (also known as green amethyst).

The earrings’ design is inspired by the ribbons of a vinok. The vinok is a Ukrainian flower wreath (crown) made from woven fragrant herbs, delicate flowers and colourful ribbons. It is endowed with symbolic meanings and has been worn for centuries by girls and women at festivals and weddings.

Ribbons was exhibited in Queensland’s Parliament House in 2022 as a showcase of Queensland’s artistic excellence, curated by artisan Gallery. This piece was also selected for artisan Collects (2022), a collaborative initiative between Malki Studio and artisan Gallery that invited collectors to explore jewellery as an art form. For more information, please click here.

Cocktail Ring: responsibly sourced sterling silver or gold, ethically sourced 6.14ct fantasy cut Brazilian prasiolite.

In many ancient traditions bread was made from the newly harvested grains and brought to the temple as an offering alongside the first fruits of the harvest. Wheat thus became a symbol for generosity and plentifulness which is used as a motif in many cultures. The Feast of Weeks is a limited edition wheat motif ring made using CAD modelling and 3D printing. Bringing together old and new.

The ring is made to order from responsibly sourced gold or silver and set with a 6.14ct ethically sourced prasiolite (green amethyst).

The Feast of Weeks was exhibited in Queensland’s Parliament House in 2022 as a showcase of Queensland’s artistic excellence, curated by artisan Gallery. This piece was also selected for artisan Collects (2022), a collaborative initiative between Malki Studio and artisan Gallery that invited collectors to explore jewellery as an art form. For more information, please click here.

Size and Metal: This ring is made to order in gold or silver with a whirl cut 6.14ct ethically sourced prasiolite (also known as a green amethyst). Price and lead time will vary based on the metal and size selected. Ring number 1 of 100 is currently ready for dispatch. It is made from sterling silver in size P 1/2 (8). See our Sizing Guide.

To begin a custom order please contact us.

Fibula (Brooch/Pin): responsibly sourced and recycled sterling silver, lapis lazuli, cultured freshwater pearls.

Fibulae are brooches or pins that were developed in the late Bronze Age (approximately 1200BCE) as a way of fastening clothes. Although they have largely been replaced by inventions such as buttons, zippers, and Velcro, fibulae are beautiful objects that can look as contemporary today as they did a few thousand years ago. This fibula is a relatively paired back example of the types of fibulae often seen in North African cultures, and features a stunningly blue lapis lazuli cabochon and richly coloured cultured freshwater pearls set with responsibly sourced and recycled sterling silver.

This piece was selected for artisan Collects (2022), a collaborative initiative between Malki Studio and artisan Gallery that invited collectors to explore jewellery as an art form. For more information, please click here.

Dimension: 2.8cm x 6cm x 0.9cm.

Brooch and fibula: responsibly sourced sterling silver, heat coloured titanium, emerald cut 12.78 carat Bolivian amethyst, carnelian cabochon, acrylic paint on linen, varnish, sterling silver chain.

Karti is essentially composed of two pins which are attached through a chain. Its name is a reference to one of the prayers and symbols of the Jewish New Year (Rosh Hashana), which represents divine protection from the malevolent forces that threaten the Jewish people.

Karti was made in the immediate aftermath of the October 7 massacres in Israel, and speaks especially of the strength of Jewish women.

Its design cites the traditional jewellery produced and worn by Jews in North Africa prior to our ethnic cleansing in the middle of the 20th Century. Traditionally, Jewish women would have worn two fibula brooches—one on each shoulder—which fastened garments. A chain traditionally connected between the brooches and suspended beads or other ornaments with various symbolic meanings.

In Karti, the fibula takes the form of an inverted Menorah, an ancient symbol of Jewish continuity, set with a carnelian cabochon, carnelian being a traditional material used throughout the Middle East and North Africa. Meanwhile, the titanium and silver brooch is shaped like an oversized olive leaf, representing the Jewish connection to the land of Israel as well as peace. The Bolivian amethyst on this brooch was set upside down, enabling the pavilion facets to fracture and multiply the miniature portrait (painted by hand using acrylic paint on linen) that is set behind the gem. The portrait allegorically depicts Jewish women, with facial features drawn from multiple images of female members of our family as well as Anne Frank and Golda Meir.

Karti was exhibited as part of the Intimate Worlds exhibition at NorthSite Contemporary Arts in Cairns. Occurring between August and October in 2024, the exhibition “is about celebrating materiality and process. The artists featured in ‘Intimate Worlds’ have a profound respect for their materials, and their work reflects a deep curiosity and dedication to their craft.” The work was similarly exhibited as a response exhibition to the Phantom superhero comic in 2023 in the Bundaberg Regional Art Gallery as part of the Phantom Response exhibition.

Adam also published a magazine article which included text and images of his work, including Karti, in Yad Mizrah Magazine. Click here to view the article.

Approximate dimensions:

Olive leaf brooch: 18cm x 6cm.

Fibula: 8.5cm x 4cm.

Chain length: 22cm.

*This piece has been sold. If you would like something similar, please contact us to start a custom order. Together, we’ll create something just for you!

Ring: responsibly sourced 9 karat yellow gold, responsibly sourced fine silver, responsibly sourced sterling silver, heat coloured titanium, aluminium, 1.53 carat Tanzanian morganite.

Like its namesake, this ring is distinctive in its form and colour. Bold but sophisticated, Violet incorporates four different metals which have been tiered in three layers and crowned with a bright and beautifully cut morganite.

Size: P (7.5). See our Sizing Guide.

*This piece has been sold. If you would like something similar, please contact us to start a custom order. Together, we’ll create something just for you!

Stud Earrings: responsibly sourced sterling silver and emerald cut citrines.

The date palm is a frequently honoured symbol that has long been a sign of prosperity in the Middle East. It appears in the religious text of Judaism, Christianity and Islam. To the Greeks and Romans it symbolised victory and to the Egyptians fertility. The stylized date palm’s design used in these bright and graceful earrings is inspired by the Half Shekel coin of the Jewish Commonwealth 69-70 CE (minted during the First Revolt ) which depicts a palm tree flanked by two harvest baskets.

Ring: available in responsibly sourced gold (10kt/ 14kt/ 18kt) or sterling silver and a selection of gemstones.

The Empire Theatre ring is a limited edition ring of 100 that was inspired by the unique theatre after which it is named. It is made using CAD modelling, 3D printing and lost wax casting. A fusion of contemporary and traditional techniques.

The Empire theatre, widely known as the jewel in the crown of the Darling Downs, is a heritage-listed building in Toowoomba (Australia) built in 1911. It was redesigned in the art deco style after a fire in 1933, and has many inspiring features. Among them is the lighting fixture which crowns the theatre's epic auditorium and is nicknamed ‘The Bomber.’ It spans across the ceiling and is made of wrought iron and obscure glass.

This piece was selected for artisan Collects (2022), a collaborative initiative between Malki Studio and artisan Gallery that invited collectors to explore jewellery as an art form. For more information, please click here.

Size and Metal: Custom made. Available in gold (10kt/14kt/18kt) or sterling silver with your choice of gemstone. Please note that the price and lead time will vary based on the metal, ring size and gemstone selected.

Currently in stock and ready for dispatch in sterling silver set with ethically sourced 1.75ct mirror cut Brazilian prasiolite. Size M (6). See our Sizing Guide.

To begin a custom order please contact us.

Pendant and chain: Australian white opal, responsibly sourced sterling silver, responsibly sourced fine silver, sterling silver chain.

This pendant was especially created for display in the Bundaberg Regional Art Gallery’s shop for the Linda Jackson: Opal exhibition. A retrospective exhibition of Linda Jackson’s “opal era,” this exhibition features a vivid collection of the famous Australian fashion designer’s iconic and colourful garments and textiles from the late 1970’s to the present.

Necklace: responsibly sourced sterling silver, glazed black ceramic, cultured freshwater pearls, ethically sourced 2.4ct golden labradorite from Springsure, QLD.

Inspired by our exquisite subtropical coastline, the Secluded necklace is another lovingly constructed piece from our Basalt Collection. This necklace pays tribute to our precious shoreline, with hope that it remains secluded, pristine, and protected for decades to come. The ceramic and metal components of this necklace were all handmade in Bargara by Malki Studio artist Ariella Anderson. The stunning and highly dispersive 2.4 carat golden labradorite was ethically sourced by a local couple, Irvine and Maureen, who fossicked the rough stone from Springsure and beautifully faceted the stone by themselves.

The length of this necklace is adjustable from 49cm to 58cm.

Ring: responsibly sourced sterling silver and 9kt gold, copper, ceramic, ethically sourced Brazilian moonstone, tiger eye.

This sculptural ring comes from The Mourning Rings Collection. As the name suggests, this ring is intended to invoke a representation of deep and dark water at night, when illumination is provided only by the moon and stars. This brooding place is a profoundly ambivalent gateway to deep thoughts and feelings. The oxidised silver “wall” separates the inside of the ring from the outside like a mountainous ridge around a lake. The ring can therefore be worn in accordance with the wearer’s desire to engage with the ring’s conceptual intent.

The Black Lake was exhibited as a part of the Flow exhibition in the Brisbane Institute of Art. The exhibition, which occurred in 2023, was a members exhibition of the Jewellery and Metalsmiths Group of Queensland (JMGQ). It was also selected for artisan Collects (2022), a collaborative initiative between Malki Studio and artisan Gallery that invited collectors to explore jewellery as an art form. For more information, please click here.

Size: Q 1/2 (8.5). See our Sizing Guide.

Dimensions: 3.1cm x 4.1cm x 2.6cm.

Necklace: responsibly sourced sterling silver, glazed black clay, oval cut citrine (32 carat).

Inspired by our exquisite subtropical coastline, the Barolin Rocks necklace pays tribute to our precious shoreline, with hope that it remains secluded, pristine, and protected for decades to come. The ceramic and metal components of this necklace were all handmade in Bargara by Malki Studio artist Ariella Anderson. The stunning 32 carat citrine in this necklace evokes the dramatic sunset, which accentuates the deep blue waters and black volcanic rocks of the region in which Malki Studio artists live and work. The Barolin Rocks necklace is a distinguished artwork, and has been displayed in several exhibitions including in Government House, where it formed part of a showcase of Queensland's artistic excellence.

Barolin Rocks was exhibited in Queensland’s Parliament House in 2022 as a showcase of Queensland’s artistic excellence, curated by artisan Gallery.

Lapel pin: responsibly sourced sterling silver, responsibly sourced fine silver, repurposed moonstones, repurposed cultured freshwater pearls, catch.

The Marijke lapel pin showcases an interplay of understated elegance and vintage-inspired design. Handcrafted from responsibly sourced sterling silver with fine silver twisted wire accents, it incorporates repurposed materials including a luminous moonstone and soft pink cultured freshwater pearls—imbuing the piece with a sense of sustainability and timeless beauty. Its restrained size is subtly sophistication, and the design evokes the elegance of the Art Deco period with its curved symmetrical balance and refined details. Marijke reflects a quieter, more minimalist approach, while maintaining a connection to Malki Studio’s artistic ethos of crafting meaningful, enduring works.

Dimensions: 8cm long, 3cm wide.

Pin thickness: 1.2mm.

Drop Earrings: titanium, responsibly sourced sterling silver, responsibly sourced 14kt gold, ethically sourced 1.95ct (3.9ct combined) Brazilian garnets, cultured freshwater pearls.

The richly coloured Diatom earrings are a one-of-a-kind marriage of heat coloured titanium, sterling silver, and 14kt gold. The earrings are inspired by the photosynthetic microorganisms known as diatoms, which produce up to half of the world’s oxygen. The shells of some species of diatoms are almost crystalline in appearance, with sharp geometric shapes that are stunningly complex.

Each earring is based on etched titanium that has been heat coloured in saturated hues of green and pinkish purple. The deep red of the ethically sourced garnets is a complimentary colour to the titanium, and contrasts wonderfully with the brushed sterling silver settings that feature twisted wire and rivets. Dangling from the 14kt gold are two dark cultured freshwater pearls, with slightly mismatched undertones of green on one pearl, and bronze on the other.

Dimensions: approximately 3 cm x 3.5 cm x 2 cm

*This piece has been sold. If you would like something similar, please contact us to start a custom order. Together, we’ll create something just for you!

Ring: responsibly sourced sterling silver, responsibly sourced Mozambique garnets, ethically sourced rough Madagascan sapphire, Edison pearl.

Beautiful and dangerous, many species of wasp use their bright colouration to alert you to the fact that if you don't respect them, they can hurt you. Much the same approach was taken in making this ring, with its bright colours and curvaceous forms that conceal a large sharp spike.

Size: R 1/2 (9). See our Sizing Guide.

Dimensions: 2.5cm x 4.8cm x 1.9cm.

Pendant and chain: responsibly sourced and repurposed sterling silver, responsibly sourced fine silver, responsibly sourced 9 karat gold, ethically sourced natural 1.45 carat zircon from Rubyvale, Queensland, Israeli 50 shekel coin from 1984, sterling silver chain.

The bronze 50 shekel coin that this pendant centers on is a replica of a Judean coin from the Great Jewish Revolt against the Roman Empire between the years 66 and 70 in the Common Era. The coin depicts a Lulav and Etrog, which is set of plants that has symbolised the Jewish holiday of Sukkot for millennia. Sukkot is a holiday that celebrates God’s protection of the Jewish people throughout our history, the Jewish connection to nature and agriculture in our native land, and our unity as a people.

Adorning this pendant is a radiant yellow natural zircon which was ethically sourced from Rubyvale in Queensland. The gem references the light of the sun and the outdoors, as Sukkot is a holiday in which Jewish people spend seven days in makeshift outdoor shelters supported by palm leaves and colourful decorations.

Chain length: 45cm.

Pendant dimensions: 6.5cm x 3.3cm x 1.5cm.

Pendant weight: 21.9 grams.